http://hokuga.hgu.jp/dspace/handle/123456789/172 2006-07-31 Search the Channel search http://hokuga.hgu.jp/dspace/simple-search http://hokuga.hgu.jp/dspace/handle/123456789/1440 Title: Using Moodle : A review of the user's handbook<br/><br/>Authors: Munby, Ian http://hokuga.hgu.jp/dspace/handle/123456789/1437 Title: F・W・グラーフ『神々の再来-近現代文化における宗教-』<br/><br/>Authors: 安酸, 敏眞 http://hokuga.hgu.jp/dspace/handle/123456789/1438 Title: 中世西大寺流関係文献目録稿 : 補遺及び続編<br/><br/>Authors: 追塩, 千尋 http://hokuga.hgu.jp/dspace/handle/123456789/1439 Title: Aerial Refueling and Threats in the Sky<br/><br/>Authors: O'Brien, Patrick<br/><br/>Abstract: Hollywood has shown an unending affection for the airplane for nearly one hundred years. From fantasy, to war, to salvation, to heroism, to romance, to adventure, airplanes have been and continue to be a powerful symbol in American film. Two intertwined themes based on flight are menace and hope, and the tension between them has successfully driven many flying films. This may explain why film has featured the airplane as the archetypal machine of the twentieth century, just as, according to Leo Marx in The Machine in the Garden, the locomotive served as the archetypal machine in American literature of the nineteenth century. Specifically, this dissertation will focus on how cargo planes, bomber aircraft, commercial airliners, and all those aboard have been portrayed in film from 1950-0004. The current essay is comprised of chapters five and six of the dissertation.