|
HOKUGA >
北海学園大学 >
人文学部・文学研究科 >
研究紀要 >
北海学園大学人文論集 >
第33号 >
このアイテムの引用には次の識別子を使用してください:
http://hokuga.hgu.jp/dspace/handle/123456789/1433
|
| タイトル: | HEROIC MEN AND FLYING MACHINES |
| 著者: | O'Brien, Patrick
オブライエン, パトリック |
| 発行日: | 20-Mar-2006 |
| 出版者: | 北海学園大学人文学会 |
| 抄録: | Hollywood has shown an unending affection for the airplane for nearly one hundred years. From fantasy, to war, to salvation, to heroism, to romance, to adventure, airplanes have been and continue to be a powerful symbol in American film. Two intertwined themes based on flight are menace and hope, and the tension between them has successfully driven many flying films. This may explain why film has featured the airplane as the archetypal machine of the twentieth century, just as, according to Leo Marx in The Machine in the Garden, the locomotive served as the archetypal machine in American literature of the nineteenth century. Specifically, this dissertation will focus on how cargo planes, bomber aircraft, commercial airliners, and all those aboard have been portrayed in film from 1950-2004. The current essay is chapter 4 of the dissertation. |
| URI: | http://hokuga.hgu.jp/dspace/handle/123456789/1433 |
| 出現コレクション: | 第33号
|
このリポジトリに保管されているアイテムは、他に指定されている場合を除き、著作権により保護されています。
|
